In my part of the world, everyone falls into two camps.
Those who love the pumpkin-everything season, and those who don’t.
Right now, everywhere you look, pumpkins (and their flavor) are popping up and I, for one, am on board.
I have some serious heart-eyes for autumn.
So, of course, I couldn’t let one more week go by without sharing my own quilling paper pumpkin!
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To make this quilling paper pumpkin, we’re going to delve into some color theory art-nerd stuff.
Color theory is the science of how colors work together and how to choose color to get the visual impact that you want in your artwork.
It was one of my favorite subjects in art school and IΒ still love it.
Part of color theory states that lighter colors and highlights make parts of a subject appear closer to you, while darker shades and shadows seem to be retreating into space.
This idea can be used to make your quilling seem more dimensional and lifelike.
As far as this project goes, visualize how pumpkins have bumps and ridges.
The bumpsΒ protrude from the pumpkin and the ridges are indented.
So with quilling, your darker colors would be near the lines of the ribs, while your lighter tones would be in the center of the bumps!
Now, let’s put a pin in all this science stuff, and start working on this quilling paper pumpkin!
For this tutorial,Β I made up a very basic pumpkin template.
It will print a little bit larger than my other templates because I wanted lots of space to work with.
Click the image below to print the template in its full size.
Once you’ve printed your template, and attached it to your workboard, grab the oranges and greens of your choice.
Because I was looking to use light and dark values of orange for my pumpkin, I chose 3 differentΒ tones of paper – Quilled Creations’ Pumpkin paper (go figure!) QC’s Orange and Lake City Crafts’ Melon paper.
For the greens, I opted for Lake City Crafts’ Celery and a random dark green that I had in my paper stash.
First, I made a bunch of paper swirls with the green shades.
I pieced them together like a puzzle until I had the look I wanted at the base of the pumpkin.
I was going for tendrils and vines rolling along the garden floor, and I’m pretty happy with that part.
Next, I glued a few double-thick strips of the pumpkin color and formed them to the lines of the pumpkin.
They will be darkest parts of the pumpkin, where the skin is indented.
Then, it was time to start filling in the rest!
For the rest of the pumpkin, I decided to be very purposeful with my shapes and colors.
This is where that color theory comes back in.
Sure, you could load up your quilling paper pumpkin with tons of paper coils and shapes, but sometimes it’s more interesting to let theΒ white of the backing act as the highlight to your work.
Last post, IΒ mentioned using negative space as a design element in your quilling.
This goes for this week’s project, as well!
Remember, I purposefully made the pumpkin template a little larger than I usually do.
So, with all that space, you can leave a lot of open white and really make this pumpkin pop!
Here’s a close-up of one side of my quilling paper pumpkin.
You can see that on the left side, I only used the 2 darkest oranges and very little negative space.
As I moved towards the center, I started adding a bit more of the light melon shade.
When I got to the center, I used a lot of open space between the swirls and scrolls because this is right where the light would hit the pumpkin and make it the brightest.
I also added a lot of curved strips of the pumpkin and orange quilling paper in and around the scrolls.
These strips help the eye move around and make your pumpkin look more 3-D.
(This is more technical art-school stuff, but it really is fascinating!)
Don’t forget the pumpkin stem!
I filled mine in with doubled-up strips in the same dark green from the vine swirls and a little ivory.
I decided on straight strips for this section not only to give a bit of contrast but also because pumpkin stems are made up of long bumpy lines.
This quilling paper pumpkin can be framed very easily.
It may look fragile because of all the swirl work, but if you move carefully, it should lift off your work board just fine.
The whole point of this post is to show how you can use color to make your quilling unique and dynamic.
And if you’d like to recreate this quilling paper pumpkin for your fall decor, I’d love to hear about it.
Leave a comment below if you’re going to take this project on!
Holly in Houston says
I am not really a pumpkin kind of girl, well maybe for Thanksgiving, but your quilled pumpkin is beautiful. You have a wonderful gift.
Meredith says
Thank you Holly. If pumpkins arenβt your thing, you could use the same concepts on all kinds of quilling projects!
Suzanne WOLDEN says
Simply amazing and beautiful!
Meredith says
Thank you so much!
michele shakra says
Hi Meredith,
Just finished my pumpkin, I wish I could post a picture. Not quite the same as yours but you definitely were an inspiration. My daughter loves everything pumpkins, I have been making her pumpkin themed items and I love to Quill and never thought of quilling her a pumpkin.
Thanks for the inspiration.
Michele
Meredith says
Iβd love to see it, Michele! If youβre on Facebook and youβre willing to share it, you can post it and tag me @ The Papery Craftery.
Lisa Palmer says
Great job, Meredith. What I like best is your lesson on light/dark and how to use them in your quilling. I do believe I need to share this one!
Meredith says
Thanks so much for sharing!!
Lynda says
I am fairly new at this. Do have measurements for the different size strips you used for the scrolls and the stem?
Meredith says
No, Lynda, Iβm sorry but I donβt. The pumpkin is one of the few projects that Iβve shared that have been more of an idea post, than a standard tutorial. Also, itβs very hard to make scrolls of equal size, no matter the directions. The thought behind this pumpkin was more about playing with light and dark to get a 3-D effect. Iβm sure if you play around with the scrolls, youβll make your own amazing pumpkin!
Katrina says
Thank you (as always) for your generosity in sharing your beautiful designs. I used your template exactly and your design loosely to make a pumpkin picture for my mother. She was delighted and I was very pleased. Shall be using your poppy design again for next month.
Meredith says
Hooray Katrina! Iβm so happy to have been a very small part of this lovely gesture for your mom!
Rebecca Post says
I did it! It was fun and I learned that multi-colored swirls are easy! Thank you.
Meredith says
So glad to hear it!
Nancy Sawyer says
Meriedith, My printer is not working. could you please tell me (in inches) how big the pumpkin supposed to be? This is the first time I am doing the pumpkin and would like to be precise the first time. Thank you so much. I look forward to making this a part of my fall decor.
Meredith says
Glad to help! The pumpkin as it is drawn on the template is 5β wide and 4 1/2β high, including the stem, but not including any swirls that you may choose to add in green underneath the pumpkin.
Nancy Sawyer says
Thank you!
Camille Dyer says
Hey Meredith. What size quilling strips are you using?
Meredith says
The majority of my tutorials are made using 1/8″ quilling strips that are sold commercially. I do at times use thinner or wider strips. Most of the times when I’m using other size strips I am making them myself from 1/8″ strips and I include the instructions on how to make them. But the majority of the time, you can just use whatever size strips you are comfortable with.
Amanda says
That is a gorgeous pumpkin, Meredith! I love it, especially since fall is my favorite season!
Elena says
Your pumpkin is beautiful. Love the art lesson. I just started quilling, any kind of help is kindly appreciate
Meredith says
Thank you! So glad you like it!
Bonnie Leigh says
Your works are Fantastic and your tutorials are the sameβοΈIβm trying to find the tutorial someone wrote it and loved it βlight/dark and how to use themβ I canβt seem to find itπ€·ββοΈ-could you Please send it to me whichever way you want – my email orβIβm sure I will get a lot out of it as I have with your other tutorials I have readβοΈTHANKS IN ADVANCE AND ABOVE ALL THANKS FOR SHARING ALL YOUR FANTASTIC TALENTSπββοΈ
(Not sure of my website address but think I put it down right or just use my name) thatβs what other people do Iβm sure as I get comments and likes all the time donβt have my art in a special album as yet-(donβt know how yet)βοΈThatβs for another time I just like art so much right now- lolβοΈπ₯°πΈπββοΈ
Meredith says
Thank you! But I’m afraid I don’t know exactly what post you’re looking for. When you have a moment, leave some more info and I’ll try to help π
Bonnie Leigh says
This is what I meant when I read from Lisa(below) Your lesson on Light/Dark Etc
As I said before I Love Your work and lessons SO Much and get Inspired every time I see them Thank You Again for it All!
Bonnie
LISA PALMER says
SEPTEMBER 10, 2019 AT 10:03 AM
Great job, Meredith. What I like best is your lesson on light/dark and how to use them in your quilling. I do believe I need to share this one!